| Specifications | |
|---|---|
| Frequency Response | 15Hz-30kHz ± 0.5 dB |
| Clip | +22 |
| Distortion | @+4 + 0.75% @+20 + 0.18% |
| Noise | -80 dB |
| Input/Output Impedance | 600 Ohm Balanced XLR |
| Gain Reduction | 40 dB |
| Gain | 40 dB ± 1 dB |
| Attack Time | 10 uSec. |
| Release Time | ~0.07s. for 50% Release, 0.5s - 4s for 100% Release |
| Panel Size | Standard Two Rack Space (2U) |
| Panel Controls | Gain Reduction/Output +4 Switch, Stereo Link, Gain, Peak Reduction & Power |
| Power | 117 (Standard), 240 (Available on Request) |
| Fuse | 120-V ———— 1-Amp S/B 5x20mm |
| 220-V ———— 1/2-Amp S/B 5x20mm | |
| Tube Complement | 4x 12AX7A, 2x 12BH7A (12AU7A), 2x 6AQ5A |
| Physical | |
| Shipping Weight | 16 lb. or 7.2 kg. |
TESTIMONIALS
Of all the available tube compressors, the ADL 1000 and ADL 1500 stand alone. I use them on every session that I do, including Aerosmith, Extreme and Jenna Drey. You owe it to yourself to check one of these out immediately
Engineer/Producer
I love the ADL 1500 so much, I have 3 of them. Warm, fat, and fully tube-packed!
Bassist/Producer Ted Nugent Band
It squashes it but you don't hear it squash. I use one channel on the bass and the other channel for jimmy's vocal. We used 4 total stereo 1500's on Jimmy's Tour.
FOH for Jimmy Buffet
From the moment I started using ADL Stereo Comp/Limiter 1500, I knew it was it a keeper.
Producer, Mariah Carey, Clapton, Streisand....
My ADL 1500 is smoother than grits
Charlie Daniels Band