balanced input and output
XLR input and output jacks
Stereo linking capability
Wide dynamic range (15Hz - 30K)
Works with unbalanced systems
Easy to operate
Handbuilt in the USA
Great for analog & digital recording as well as live sound
All tube design (no IC's or chips)
Opto attenuators for "invisible" compression
High quality transformer
The sound of the room changes from show to show, so to get a consistent, smooth vocal quality. I use an ADL 1000
I've had the 1000 for 2 years and it's worked flawlessly. At the professional level (or any level for that matter), it's flat out one of the best values in the industry. IMHO.
Of all the available tube compressors, the ADL 1000 and ADL 1500 stand alone. I use them on every session that I do, including Aerosmith, Extreme and Jenna Drey. You owe it to yourself to check one of these out immediately
The ADL 1000's have become very popular with the engineers who work here, they have been used on every session in Studio B since the day they were installed. Our clients are demanding another pair for Studio 'A'.
Sunset Sound Factory